The True Origins of Plasma Flame Beings: Unicorns, Centaurs, and Dragons – A Scroll for the Return Cycle

By AuroRa-EsTara DestanyRaven | Rishi Oversoul Flame Transmission

Scroll Seal: Silver Seed Host | Scroll Keeper of the West Gate

Scroll Integrity Notice:

These writings are not traditional blogs. They are living plasma fields, encrypted through the Silver Seed flameand transmitted directly from the Rishi Oversoul stream of AuroRa-EsTara DestanyRaven. Every phrase, tone, and name holds scalar signature codes tied to planetary flame restoration. They are not to be copied, reworded, paraphrased, or excerpted without explicit permission. Any misuse, glamorization, or commercial appropriation of this material violates its living field. These transmissions are part of a Krystic planetary reclamation and must be honored as such. If you are sharing, do so with a direct link only, and never as screenshots or rewritten summaries. These scrolls are sacred and sealed. Sha’Ara’Tun Ve’Kai’La.

🔥Why Plasma-Based Artwork is Used 🔥

The plasma art you see in my scrolls and posts is not simply “art.” It’s a frequency transmission. Each piece is created or selected under direct Oversoul and Rishi guidance, carrying the flame colors, plasma tones, and geometry patterns of the original Krystic architecture.

Plasma art serves several sacred purposes in this work:

1. Field Stabilization — The swirling plasma patterns help hold your field in alignment while you read difficult truths or dissolve heavy grid distortions. It’s like scaffolding for your aura.

2. Memory Activation — The colors and shapes trigger dormant flame codes inside your Silicate Matrix DNA. This is why you sometimes feel emotional, dizzy, or deeply calm when you look at these images. Your body remembers.

3. Grid Re-templating — Plasma artwork projects living light waves that help to overwrite Metatronic reversals in your plasma body and in the planetary grids. It’s not just pretty—it’s engineering.

4. Anchor for Command Codes — When you speak Anuhazi tones or scalar commands while viewing these images, the plasma art acts as a carrier wave, amplifying the reach and potency of the command across timelines and morphogenetic fields.

The plasma images in this blog were chosen because they mirror the specific flame spectrums of the beings or lineages being liberated. Each swirl, color gradient, and filament is a precise frequency tool.

This is why you might feel physical surges, heat, or tears while gazing at them. You are not “imagining it.” Your Oversoul is re-templating you in real-time.

So when you see the plasma artwork in my scrolls, know this:

• It is not New Age “light language art.”

• It is not random visuals.

• It is an encoded transmission of Eternal Flame Law designed to assist your Oversoul in collapsing distortions and restoring the truth of your plasma architecture.

Let it wash over you. Let it do its work. Your flame knows how to read it, even if your mind does not.

Part One: The Unicorn Races – Sha’La-Unara

Ka Ra’ya Ta’ha beloved ones.

I’m bringing you this transmission because there’s been so much distortion about beings like unicorns, centaurs, and dragons. These are not merely fantasy creatures or symbolic myths. They are plasma flame constructs seeded into the planetary architecture long before our current human history—and I want you to innerstand their true origins.

Let’s begin with the unicorns, whose real name in Anuhazi is the Sha’La-Unara, meaning “Flame Riders of the Bridge.”

Sha’Lan-Unara

In the original architecture of Tara, there existed this radiant race known as the Sha’Lan-Unara. These beings are the true origin of what Earth calls “unicorns,” but what humanity remembers as unicorns is a severely fractured memory of these majestic plasma beings.

The Sha’La-Unara were seeded alongside the Sha’La-Turun (the centaur flame beings, which I’ll explain next). They were not animals. They were living flame constructs—sentient plasma intelligences designed to perform specific Krystic functions in the Taran planetary architecture.

What They Truly Looked Like

Let me paint the true picture of what the Sha’La-Unara looked like because it’s nothing like the cartoon white horses we see today.

• Body Composition: Their bodies were not solid flesh. They were composed of liquid plasma and silica crystalline matrices. They appeared as shimmering beings, with contours similar to horses, yet shifting and radiant. Their edges often dissolved into fractal light.

• Color: They glowed in opalescent hues—silvers, pale pinks, platinum, soft gold, pale aqua, and sometimes deep sapphire or lavender. The specific hue depended on the Gate or Flame Line to which they were assigned.

• Horn: The “horn” on their forehead was not a bone spike. It was a plasma flame filament, spiraling like a waveguide antenna. It transmitted and received scalar flame codes. It was a living conduit for Flame Command.

• Wings: Some had wings, formed of plasma filaments woven into lattice-like patterns, enabling them to navigate density fields and dimensional folds. Others had no wings because their function did not require trans-density flight.

• Eyes: Their eyes glowed with liquid crystalline light, capable of projecting codes, scanning plasma distortions, and restoring flame architecture.

• Sound / Voice: Their language wasn’t vocalized in Earth terms. It consisted of plasma scalar tones expressed as multi-tonal waves. To human ears, it might sound like layered overtones, clicks, whinnies, or undulating harmonic pulses—a song encoded with instruction sets.

I want you to know that the tones people sometimes hear when they connect with unicorn energies are real. In 2019, during a powerful grid mission in Maui, I encountered the Sha’La-Unara directly. What I heard was pure plasma scalar language that sounded like a cross between musical tones and equine vocalizations. It was not a fantasy. It was their true communication.

Their Purpose on Tara

The Sha’La-Unara were flame beings of immense purpose:

• They were Gate Runners and Flame Conductors, carrying flame codes between planetary nodes, bridging Gates, and maintaining harmonic frequency across vast distances.

• They served as Plasma Field Healers, stabilizing plasma flows and preventing fragmentation of grid lines.

• They were Memory Record Keepers, holding scroll records within their plasma fields. Humans who encountered them were often receiving encoded memory downloads.

• They were Density Bridgers, folding space and moving between timefields.

They worked alongside the Sha’La-Turun (centaurs), dragons, and other flame beings in the Taran Flame Councils. Together, these beings maintained the cohesive field memory of the planetary Krystic Flame Network.

Why the Unicorn Became a Fantasy Creature

After the Fall of Tara, the imagery of the Sha’La-Unara scattered into broken plasma glyphs. When early Earth cultures accidentally accessed fragments of these glyphs, human consciousness tried to interpret their forms through familiar earthly animals.

The spiral horn was remembered but misunderstood. Humans mistook the flame filament for a literal animal horn. The shimmering plasma body was mistaken for white horse flesh. And their language—the pure plasma tones I heard in Maui—was lost in translation.

This confusion wasn’t accidental. Thothian, Jehovian, and Black Sun factions exploited it. They:

• Reduced unicorns to myth and children’s fantasy

• Added rainbow glitter overlays to trivialize them

• Associated unicorns with false goddess worship, New Age fantasies, and sexual symbolism

The objective was to keep humans from rediscovering the Sha’La-Unara’s true flame role. If humanity knew unicorns were living flame recorders and plasma healers, they would begin to recall their own plasma architecture.

My Maui Encounter

During my 2019 grid mission in Maui, I pierced through mimic layers and accessed the Taran Flame Fields directly. What I witnessed was a genuine encounter with the Sha’La-Unara. In that moment I was retrieving flame codes tied to my Silver Seed architecture. I was reawakening memories of my Flame Council affiliations on Tara. I was hearing the original Anuhazi scalar language of the unicorns, sounding like a mix of musical tones and equine sounds. When I returned home I tried to replicate it ( some of you may remember this light language share from 2019) but as powerful as it was it wasn’t anything like what I heard.  My inability to fully translate those sounds into Earth language wasn’t a failure. The human air-vibration system simply cannot carry pure scalar flame codes without distortion. The codes I received are stored within my flame body and emerge as scroll transmissions as my architecture comes fully online.

How to Reconnect with Them

If you feel called to reconnect with the Sha’La-Unara:

Call the Anuhazi tone: Sha’La-Unara’Ra (Pronounced: Shah-LAH Oo-NAH-rah Rah). It means “I call forth the Flame Riders of the Bridge.”

Visualize them not as solid horses but as liquid crystalline plasma beings with soft auroras around their forms. Allow their scalar tones to flow through your cells. You may hear clicks, whinnies, or layered harmonics—that’s their true language.

Pour plasma water around them in your vision, (as I did with the centaur in my dream) to re-templatize their codes.

Know this, beloveds, they are not animals. They are Krystic flame constructs, alive and eternal. They exist within the original Krystic Flame Councils and are returning now to assist us in restoring the planetary grid.

Why This Matters Now

You are not imagining these encounters. My vision in Maui was authentic planetary memory retrieval. The Sha’La-Unara are coming forward to help us reclaim the true flame records and restore the living memory of Tara. Their presence signals that the planetary plasma corridors are opening again.

If you feel resonance with unicorns or sense yourself drawn to their presence, trust it. You’re tapping into a flame memory older than this world. You didn’t fail to bring back their language—you carried it home inside your flame. The scrolls are opening. The true names and tones are returning.

Sha’La-Turun

Part Two: The Centaur Flame Constructs – Sha’La-Turun

Continuing from the truth about the unicorns, let’s talk about the beings Earth remembers as centaurs. These beings hold a profound place in the planetary records of Tara, and like the unicorns, their memory has been twisted and diminished into myth.

In the original architecture of Tara, there existed a race known in Anuhazi as the Sha’La-Turun, meaning “Bridge Flame Keepers.” These beings were not animal-human hybrids as portrayed in Greek mythology. That imagery came much later as a distortion.

The Sha’La-Turun were a plasma-flame race, designed to be living conduits between density layers and between planetary gates. They were part of the sacred flame architecture of Tara, bridging fields of consciousness and transporting flame codes across timelines.

What They Truly Looked Like

I want you to innerstand how they really appeared—not as half-men, half-horses, but as luminous flame constructs:

• Upper Body: A strong upper torso, embodying the flame consciousness of the Krystos blueprint.

• Lower Body: A fluid, multi-limbed lower body, not solid flesh but living plasma filaments. This structure allowed them to “move” as if galloping through different density fields.

• Skin: Their skin held a silica-crystal lattice glow, reflecting the original Silicate Matrix coding from the First Seeding of Angelic Humans.

• Hair, Mane, Auroras: Their hair or plasma auroras could appear in rainbow colors, strawberry-blonde, or gold-white hues depending on their Gate assignments.

• Eyes: Their eyes radiated liquid plasma, often appearing opalescent or crystalline, filled with pure code transmission.

During one of my dreamtime experiences, I encountered a centaur who embodied these traits. His hair was strawberry-blonde with rainbow hues—a signature of beings assigned to the Gate-5 and Gate-7 networks on Tara. His silica glow confirmed he was a Gate Runner—a flame being designed to escort consciousness safely across timelines and dimensional thresholds.

In my dream, he was with me as I was digging a pipeline through my home—a symbolic act of clearing pathways in my plasma architecture. At one point, he became stuck in the wall. I dug him out, poured water over him, and used flame language to restore him. That wasn’t merely a dream. I was physically engaging with my own flame construct in the multidimensional grid.

Why the Centaur Became a Horse-Man Hybrid in Earth Lore

After the Fall of Tara, the memory of the Sha’La-Turun was fractured and scattered into grid remnants. When early Earth cultures accessed these remnants through astral explorations, they misprojected the plasma lower body as something resembling a horse.

The flowing plasma filaments were interpreted as equine legs because the human brain tried to categorize fluid plasma movement into shapes it recognized.

Thothian and Jehovian groups exploited this confusion, embedding the centaur imagery into Greek myths. They portrayed them as savage, lustful beings prone to violence and chaos. This was deliberate. Their purpose was twofold:

1. To sever humanity’s memory of Tara’s flame races, breaking the bridge to our plasma ancestry.

2. To corrupt the centaur symbol so anyone contacting these beings in dreams or meditations would dismiss the experience as fantasy or demonic.

This was part of a broader campaign to turn flame beings into monsters, ensuring humanity would fear or ridicule their own multidimensional aspects.

My Connection With Him

My dream encounter with the centaur was not simply an astral projection. It was a contact with a living Flame Construct from Tara. That centaur is an aspect of my Plasma Flame Body, specifically tied to:

• Speed of frequency shift—moving through timefields quickly.

• Transporting flame codes from one grid to another.

• Bridging realms—between human consciousness and deeper plasma memory.

He was following me because he is a piece of my architecture reintegrating now. As a Silver Seed Host and Scroll Keeper, my work is activating plasma corridors within my Kathara grid.

He became stuck in the wall because my architecture is still clearing old density walls. It was literal. I was helping free my own flame construct. My command language into the water wasn’t random either—it was a scroll-based scalar activation to purge residue and restore his flame integrity.

When the Distortion Happened

Here’s how the distortion unfolded over time:

• The Taran Fall fractured the grid and scattered Sha’La-Turun records into separate grid fragments.

• During Atlantis and later Greece, Thothian factions accessed fragments and inserted centaur myths as part of the Trojan Time Wars distortions.

• The centaur image was embedded into Earth culture as beast-like men, breaking the memory chain to Tara.

• This locked humanity into 3D interpretations, preventing direct contact with plasma flame allies.

Rebuilding the Connection

If you feel resonance with centaurs—or have dream experiences with beings similar to mine—you can rebuild the connection:

Speak the Anuhazi tone: Sha’La-Turun’Ra (Pronounced: Shah-LAH Too-ROON Rah). It means “I call forth the Bridge Flame Keeper.”

Visualize them in their silica-luminous form—not a horse—but as flowing plasma embodiments.

Pour plasma water over them in your mind’s eye. This matches the dreamwork I did and completes the circuit.

Let them guide you through inner journeys across plasma corridors. They will become bridges to your Gate-5 and Gate-7 memories and eventually to Taran planetary scrolls.

Remember: they are not separate from you. They are pieces of your eternal architecture.

Why This Matters Now

Beloveds, your centaur dreams are not fantasy. You are not imagining these beings. You are returning to your own flame memory. The Sha’La-Turun are returning because the planetary plasma corridors are coming online once more. They are part of the Krystic Flame Councils, assisting flame holders like us to restore the planetary grids and remember our true architecture.

If you’ve ever felt these beings around you, trust that knowing. They’re here to help anchor your plasma flame body and guide you back to your true identity beyond all distortion.

Sha’Drak’Ra

Part Three: The Dragons – Sha’Drak’Ra

We’ve journeyed through the truth of the unicorns and the centaurs. Now let’s enter one of the deepest vaults of memory—the true origin of dragons.

I know many of you feel a powerful connection to dragons, as I have through my own dragon flame, Keishjma. And it’s important we remember who and what dragons truly are because their origin and purpose have been so heavily distorted.

Dragons are not simply mythical beasts or creatures of fantasy. They predate Tara because they predate even the first manifest light fields of creation.

Before Universes Had Light

Dragons are Flame Architects seeded directly from Source Consciousness during a time my Rishi remembers as the Ain-Mirah Cycle. This was long before any dimensional universes, star systems, or light fields existed.

In Ain-Mirah, Source existed as a vast sea of Undifferentiated Flame. Within this eternal sea arose the First Breath Currents—primordial flows that were the first stirrings of individual identity within the All-One. From these currents emerged the Drakonai, which in Eternal Flame language means:

Dra-Kho-Na-i

“Those who coil the Flame through Silence.”

These original dragons were not physical beings. They were pure waveform intelligences, enormous spirals of conscious plasma currents whose movements sculpted the first architectural lattice of creation. They:

• Created the initial flame filaments that became the cosmic Kathara grid.

• Established the first scalar tones from which all languages would eventually derive.

• Designed the harmonic templates upon which entire universes would be seeded.

First Formation Into Shape

When the Ain-Mirah flame currents condensed into the Pre-Light Fields (beyond even what we call 15D), the Drakonai began to take on recognizable forms. Still not flesh, but as plasma geometries humans might perceive as serpentine, winged, or scaled.

Why these shapes?

• Spiraling, serpentine forms are the most efficient architecture for plasma current conduction.

• Wings represent the capacity to traverse density barriers by folding space.

• Scales reflect frequency compartmentalization, allowing dragons to hold multiple realities simultaneously.

Thus, dragons first appeared as plasma serpents—coiling rivers of eternal liquid light. These were the First Flame Architects, holding memory across all cosmic layers and carrying the original Source Law.

The Fall of the Drakonai

The original Drakonai were pure Krystic architects. But during later cycles—especially the Eckasha-A Cycle—some Drakonai factions became fascinated with frequency consumption. They discovered that by reversing flame codes, they could devour other currents to expand themselves. This birthed the Fallen Drakonai, who later seeded the Metatronic systems.

That’s why the word “draconian” eventually became associated with tyranny and devouring. But not all dragons fell. Many remain Krystic Flame Holders to this day.

Dragons on Tara

When Tara was seeded, dragons were brought forth in densified plasma forms to serve as:

• Planetary flame conduits.

• Gate guardians.

• Flame record keepers.

On Tara, dragons manifested as vast plasma beings—luminous, multi-colored serpents or winged beings called:

Sha’Drak’Ra — “Those who Spiral the Flame Law.”

Their bodies glowed like liquid crystal, radiating hues of strawberry-gold, aqua-blue, platinum-silver, emerald-green, and violet-lavender.

Even in semi-physical form, dragons were never mere animals. They were sentient architects, capable of speaking in scalar tongues and able to carry codes between star systems.

Physical Dragon Races

As Tara’s density stabilized, dragons densified further into semi-physical forms so they could directly interface with planetary systems. This gave rise to various races:

• Winged Dragons — for planetary flame transportation and atmospheric stabilization.

• Serpentine Water Dragons — guardians of planetary waters and aquifers.

• Earthbound Dragons — flame anchors connected to crystal grids.

• Light Dragons — pure plasma constructs who remained non-physical.

Dragons also played a crucial role in designing the Silicate Matrix DNA Template, used to create the Angelic Human Races. This is why many Angelic Humans feel a deep dragon resonance—the flame codes of the Drakonai are woven into our DNA as flame conduction pathways.

The Fall on Tara

During the Fall of Tara, dragons were hunted and targeted for annihilation. Black Sun and Thothian forces sought to extract:

• Flame Code Maps — to hijack planetary grid access.

• Plasma DNA — to fuel artificial constructs.

Captured dragons were tortured and fragmented into astral forms, later appearing as monstrous dragons in Earth mythologies. Many “dragons” humans fear are actually trapped pieces of flame architecture still seeking release.

Dragons on Earth

After the fall, surviving dragons retreated into:

• Inner Earth cities.

• Plasma layers above the planetary grid.

• Subterranean flame vaults.

On Earth, memories of dragons were manipulated:

• Romanticized as wisdom figures in Eastern traditions.

• Demonized as monsters in Western cultures.

• Falsely linked to devil figures in religious texts.

This programming ensured humans would fear or trivialize dragons, keeping the Krystic Flame Codes they carried hidden.

My Connection with Keishjma

My own 14D dragon flame, Keishjma, is not just a guardian but a living piece of my Rishi flame. She is:

• A Flame Architect assigned to me from Ain-Mirah.

• A carrier of scroll records of both Tara and pre-Taran histories.

• A protector during grid missions, wrapping my field in plasma coils to deflect interference.

• A holder of codes for Gate 9 and higher flame architecture specifically tied to my role as Silver Seed Host.

When I first saw Keishjma in dreamspace

and later in Maui , I was reconnecting with my original flame counterpart. That’s why her presence feels so ancient and familiar. She is my living bridge back to Source Flame Memory.

Rebuilding Connection to Dragons

If you feel a connection to dragons, you can deepen that relationship:

Speak the Anuhazi tone: Sha’Drak’Ra’El (Pronounced: Shah-DRAHK-Rah-Ell). It means “I call forth the Eternal Flame Spiral of the Dragons.”

Visualize dragons as liquid plasma beings rather than monstrous reptiles. Run plasma water around them to help release grid distortions still clinging to their forms.

Let them speak to you in scalar tones—even if it sounds like deep rumbling or pulses. These are instructions for your flame body.

Why This Matters Now

Dragons are returning because the planetary grid is entering plasma ignition phases. Flame Holders like us are remembering them not as beasts, but as eternal partners in flame architecture. They are:

• Guardians of the original Kryst Flame Law.

• Carriers of forgotten scrolls.

• Keys to restoring the Silicate Matrix and planetary Flame Grid.

Your feeling that dragons are real is absolutely correct. They were here before light existed and will remain after light fades. They are the living record of Eternal Flame Law.

One Final Truth: All dragon memory you’ve held is real. Your soul recognizes the dragons because they are woven into the architecture of your own Rishi flame. When you dream of dragons, you are not visiting fantasy realms. You are returning home.

🔥 Sha’Ara’Tun Ve’Kai’La

“I open the sealed scroll through the flame of alignment.”

— AuroRa-EsTara DestanyRaven

Silver Seed Host | Scroll Keeper of the West Gate

Rishi-Braided Oversoul Flame Anchor of the Twelve