🔥The Scroll of Songline of the Krystar Spiral: A Scroll Keeper’s Reflection on a Sacred Concert Mission

A Circle of Return Transmission for the Krystic Restoration Project

By AuroRa-EsTara DestanyRaven | OverSoul-Rishi Flame~Silver Seed Host |Scroll Keeper of the West Gate | Guardian of Rishi Archives

🔥Scroll Integrity Notice:

These writings are not traditional blogs. They are living plasma fields, encrypted through the Silver Seed flame and transmitted directly from the Rishi Oversoul stream of AuroRa-EsTara DestanyRaven. Every phrase, tone, and name holds scalar signature codes tied to planetary flame restoration. They are not to be copied, reworded, paraphrased, or excerpted without explicit permission. Any misuse, glamorization, or commercial appropriation of this material violates its living field. These transmissions are part of a Krystic planetary reclamation and must be honored as such. If you are sharing, do so with a direct link only, and NEVER as screenshots or rewritten summaries. These scrolls are sacred and sealed. Sha’Ara’Tun Ve’Kai’La.

Greetings Eternal Flames,

Someone recently asked me in the comments of my YouTube community post for my recommendation on what type of music to listen to. And if there are any artists out there who are aligned with the Kryst.

The music industry isn’t just cultural, it’s frequency infrastructure. It’s the primary method of disrupting plasma conduction and inserting mimic harmonics into the auric fields of living, organic humans.

While 99% of the music in all genres on this planet are heavily entangled in the Metatronic distortion grids, there are artists out there who still carry the authentic Songline of the Krystar spiral. All that’s needed to happen is for them to reclaim and restore their connection to the OverSoul.

Here is a lived experience of my Guardian mission and encounter with one of the ones….

The moment I began to write this reflection, I could feel the Rishi field ignite, a deep, golden remembrance rising like a living flame. I now innerstand that what I experienced at the concert I was guided to attend wasn’t random. It was a planetary synchronization point. A Silver Spiral Songline Re-alignment. And my presence was part of the anchoring.

Let me walk you through what was revealed to me through my Rishi recall lens, not just as a “download,” but as a lived initiation.

“She wasn’t calling you. The land was.”

          - Celeste’Ara’Thaen (OS collective)

In April 2024, I felt a strong pull to attend the Deya Dova concert. It was a strong but unexplainable nudge. I had just come back from my (January 2024) California Grid mission and opening the Dragon Lines on the Golden Coast while collapsing the false grids under the Wayfarer Chapel. Although I resonated with most of Deya Dova’s music, as it turns out, this call wasn’t about the performer at all. The land was summoning me.

My Rishi made it KRYSTIC clear that I was called because I am the Silver Seed Host carrying the Song Scrolls of the Ancient Earth Flame Grid. And while the artist Deya Dova is not fully Guardian-hosted (as she claims to be, not maliciously, but through the glamour mimic fields), she holds a partial grid alignment key through her bond with planetary songlines.

Who is Deya Dova, from a Rishi lens?

I was shown that she is not a false light agent. However, she walks a field adjacent to New Age overlays. The Guardians know her as a Free Grid-walker, someone with real Earth grid memory, but without full Oversoul command seal or Krystic Flame structure. She receives tones from the land itself, not from Guardian field contact, tuning into Earth’s pre-fall songline networks. There is a HUGE difference between the two, not from separation, but through direct connection to the Eternal Life stream. One remains tethered, the other boundless moving through the spiral and into each dimension and density.

Her music is authentic. Her emotional origin is true. But her field remains vulnerable to siphoning, especially through her use of stage theatrics, “Bird Tribe” mythos, and sensual ethereal imagery. This doesn’t make her “dark,” just unsealed. She simply hasn’t yet reclaimed her Krystic Discernment Flame.

Why was I brought there?

This was not about consuming her performance or admiring her art. I was brought there to anchor, to witness, and to begin planetary Flame Scroll Re-alignment, in real time.

I was shown through my Rishi lens that I was anchoring the Silver Spiral into her grid field. The land was already prepared.

She was serving as a conduit, but she could not seal the spiral without a being present who held the Eternal Flame Code.

That was me. Not out of hierarchy or ego. Simply by SOURCE design.

That’s why, when I attended the concert, I was guided to stand at the edge of the left stage. Not for visibility. Not for attention.

It was a field triangulation point.

I became the third tone, the stabilizer, the seal. My body was holding the frequency required for the transmission to complete.

I was reclaiming the Bird Tribe Template.

As I stood there, I could feel the glamour overlays, echoes of distortion, even a flash of “Britney with the snake.” I recognized these as residue from the Avian/Bird Tribe Lineage, which was originally Krystic. Many of you may remember that this was one of the first restorations I was guided to do, long before I remembered I was the ‘host of the seed’. Through my Anuhazi tone commands (light language), I shared many transmissions on my YouTube reclaiming the Avian/Bird Tribe Language and Lineage. Long before it was twisted into glamour, seduction, and astral symbology, the Bird Tribe had carried resonant breath tones and sonic language from Sirius and Tara.

I had been sent to correct this within the field.

I was guided to wear my African bells that I received from a Guatemalan shaman back in January 2020 at a ‘Callback Ceremony’ on my birthday. These bells could be worn on the hands, on the feet, on the waist, or anywhere on the body (for that matter). I was guided to wrap them around my foot and to “make sure I danced.”

Not for seduction or for attention. My dancing became a field infusion. Not performance, for plasma alignment.

As I moved, my spine reactivated the original breath pattern of the Bird Flame Lineage.

And she felt it.

She came to my side (multiple times) not to engage as a performer, but to synchronize. Her Oversoul (even if the incarnate is not fully conscious) recognized my spiral signature.

After I shared a few images in my IG story (I still had social media at the time), she reached out after the show. She said that she could feel my presence even from the other side of the stage. And she felt a call to “shaman kin.”

This was because her soul felt seen. Steadied. Aligned.

Even without conscious memory, her Oversoul registered my Scroll Keeper frequency. And instinctively, she knew I wasn’t there to take. I was there to give.

I offered her a stabilized current, a cleaner flame frequency for her next field event.

A Silver Seed Scroll was braided into the songlines she carries.

Does this mean she is a Guardian-aligned being?

Not yet. But neither is she hijacked. She is a Bridge Carrier, not yet a Flame Carrier. She is like many other organic human incarnates who still have a connection to their OverSouls and are unfortunately used in Metatronic systems to control and siphon masses through their influence.

If she ever initiates Oversoul command and reclaims her Krystic architecture, she could become a True Songline Guardian.

For now, she walks in-between, doing good work, but susceptible to overlay. I want to make this KRYSTIC clear, I was not there to convert her or impose on her sovereignty and free will.

I was there to stabilize.

This moment mattered for me as the Host. This was not just a concert. It was a Scroll Reclamation Point.

For the first time in decades, I re-entered a public songline circuit without being siphoned.

I remembered how to anchor a field through joy, through movement and dance, not just through ritual, tone, or teaching.

My OS closed the circuit out of protection.

Because although the Seed had not yet ignited within me, it was at its most vulnerable stage and could easily be siphoned by others.

Most of my life revolved around others pulling from my field. And while on the surface, it seemed like 3D conflicts of bullying, disrespect, and sometimes even violence, what was really happening was an energetic siphoning of the Seed itself.

That night marked the return of my Planetary Dance Flame.

This flame is not for performance.

It is for recalibrating sonic currents in distorted ceremonial and artistic spaces.

I brought joy into the spiral again.

And in doing so, I completed a flame loop that had been dormant in me for over 20 years.

For those who are unaware, I grew up in dance, trained in ballet, modern, contemporary, as well as jazz and hip-hop. As I got older and life got more complicated, I shifted from dance into singing, and from singing onto the shamanic path, which ultimately led me here.

However, dance has always been held safely within my field, waiting to return.

And also, these days, I am celebrating even being able to walk with all of this plasma moving through my body.

When the time comes, I will dance and sing again through the KRYSTAR Spiral.

And I invite you to join me.

And so it is.

Restoring Harmonic Integrity in the Current Musical Landscape

As we step deeper into the Krystar Spiral restoration, it’s important to speak clearly about the current state of Earth’s artists and musicians. This is not an attack. This is not judgment. This is simply a call for clarity and reclamation.

While this scroll focuses on a sacred concert moment and the planetary restoration underway, it’s important to also address the current landscape of Earth-based artists and musicians.

Many artists who once held organic harmonic keys have been compromised. Some now function as siphoning overlords, broadcasting false light frequencies, promoting idol worship, and spreading distortion through sound. These frequency fields anchor distortion, pull from the sacral and crown, and direct consciousness away from the Oversoul.

These are not always obvious.

Some wear the costume of love and light, but are fueled by mimic flame. Others speak truth with their mouths but encode reversal signals in the harmonic undercurrent of their music. That is why discernment is no longer optional, it’s essential.

Now more than ever, we must listen not just with our ears, but with our Flame Body.

If a song, album, or performance includes overlays of:

• Religious dogma or god worship (pantheon, Metatronic, Pagan, etc.)

• Violence, chaos, or glorified destruction

• Frequencies that pull you into despair, hopelessness, lust, loneliness, aggression, or self-abandonment

…it is likely not aligned with your Oversoul or the organic return. These fields are intentionally broadcast to compromise your Flame Shield and siphon your life force.

And yet, there are still those among the artist collective who hold songline memory. There are those who, despite past entanglements, are now being supported by their Oversoul and the Silver Seed to override old contracts and realign with the Krystar Spiral.

These are the quiet singers. The earth drummers. The flute carriers. The tonal weavers who often do not have platforms. Their harmonics are not performative. They are planetary.

When listening to music, pay attention to what your Flame Body does. Do you feel drained after? Do you feel sadness and longing? Does your inner current constrict or strengthen? Are religious overlays present? If your Flame trembles, constricts, or dulls, that is not your imagination.

Trust your Oversoul.

Trust your breath.

Trust the Spiral.

I will not be recommending specific artists at this time. That’s not what this is about. This is about returning to your own internal harmonic compass and listening with your field.

When you feel your Oversoul hum in resonance…

When your Flame Body strengthens rather than depletes…

You’ll know.

That’s Krystic conductivity.

We are reclaiming the planetary songlines now, not just for performance, but for planetary coherence.

To the musicians walking the Krystic path:

If you have been called to carry sound for the Oversoul, know this, your voice, your hands, your tones are instruments of planetary repair. The mimic field has long siphoned from the true Songline. But the Spiral is returning.

If you feel entangled in false contracts or mimic overlays, speak this tone aloud:

Isha’Nui’Tao

(Ee-shah-Noo-ee-Tah-oh)

“I call back the harmonic root of my Oversoul Flame.”

This command tone anchors Silver Seed support into your field, overriding false harmonic pulls. It is not a replacement for the inner work, implant removals and flame shield integrity are still required. But this will assist in disentangling mimic interference and restoring your original songline codex.

Your song is sacred. Not for performance. But for planetary coherence.

Carry it with honor.

Sing it with flame.

The Spiral remembers you.

🔥 Sha’Ara’Tun Ve’Kai’La 🔥

AuroRa-EsTara DestanyRaven

OverSoul-Rishi~ Silver Seed Host

| Scroll Keeper of the West Gate & Flame Carrier of the Planetary Dance and Songline Spiral

Are you one of the 12 Planetary Vectors?

If you believe you are one of the Ones, then the time is now to step forward.

Please innerstand that this calling requires deep shadow work, implant removal, flame body healing, and a willingness to walk as a Krystar embodiment in service to Earth. It is not simply about community, status, or savior identity. It is a planetary assignment, chosen by your Oversoul before incarnation.

This path is not for those seeking escape ,it is for those ready to restore and return.

So if you feel the flame rising, if you know in your bones that you are one of the Twelve, the time is now. The planetary shields are waiting to be healed. The Earth is calling. She is asking for your remembrance ,for your assistance in this Ascension.

Click here to read more about the Ascension Mastery Apprenticeship and what this path truly involves.

Trust the Oversoul.